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News, Winter's Tale News

Q & A: David Morden

How did you first get involved in theatre?

My first introduction to theatre was doing church plays as a boy.  I took drama classes in junior high and and high school.  In college, I realized that I was spending all of my free time at the theatre department and decided to commit to acting as a career.

Why acting?

Why acting” is the big, big question.  I think I like that form of communication above all others:  acting out a story so that an audience gets a vicarious experience of something out of the ordinary.

Can you tell me an interesting or amusing theatre story?

I could tell you a million!  Most theatre stories revolve around something going wrong and how one got out of the situation.  I once did an avant-garde play in Seattle–a series of monologues with two other actors.  At one point during the show, an audience member stood up, walked out of the theatre, came back and announced from the front of the stage, “The is the worst show I have ever seen in my life” and then left!

Do you have any actors/actresses you admire?

I usually admire British actors over American actors, because they have better training in classical theatre in Britain.  My favorites include Simon Russell Beale, Alan Rickman, Helen Mirren and Alan Rickman.
What is your favorite previous role? Do you have a dream role?

My favorite role is the one I just did for The Rogue:  Louis De Rougemont in SHIPWRECKED.  My dream role used to be the title role in Shakespeare’s RICHARD II — but now I’m too old to play the part!  Anything in Shakespeare is a dream role for me, but I suppose Elyot in PRIVATE LIVES would be high on my list, too!

Are there qualities in your character that you also see in yourself?

Always – though I would state it differently.  I always find the qualities in myself that work for the character.  We all have qualities such as love, jealousy, caring, anger, etc. inside of us.  As actors, it is our job to call them forth and explore them.

What are you most excited about for in this play?

This play has one of the most beautiful reunion scenes at the end of the play, when everything that was lost is found again.  If we do our job correctly, our audiences will be deeply moved by it and will leave the theatre thinking about those people that they love and can’t afford to lose.



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